Everything Finds Its Way Out, Audrey Kawasaki’s first-ever lithograph on stone, marks a new chapter in her practice, translating her intimate visual language through a medium defined by process, patience, and nuance.
Known for her delicate, painterly approach and influences rooted in Japanese manga aesthetics, Kawasaki brings her signature sensibility into lithography with a quiet openness, embracing the subtle shifts, textures, and unpredictability inherent to the medium. Rather than resisting these qualities, the work allows them to surface, adding a rawness and depth that sit just beneath its refined exterior.
In Everything Finds Its Way Out, nothing is explicitly stated, yet everything seems to emerge, gently and inevitably. The image holds that tension between control and release, where the process itself becomes part of the story.
