Geometry, rigor and purity. L’ATLAS delivers illusionist lettering with puns. With a contemptuous exactness, Jules Dodet masters with the lines and manages to pull his pseudonym through misguided optical skills. Under the methodical lines of a map, l’ATLAS draws and signs.
Arabic calligraphy and graffiti get together to reveal his works’ singular mix that invades walls, floor, and canvases. The three dimensions give some labyrinth skills to his acronym. He harnesses the verticals like no one else in order to deliver some hidden but communicative messages. L’ATLAS does not mince his words but uses them in an infinite number of ways.