Adele Renault

Paris Metro

538 

Weight1 kg
Edition size :

99

Dimensions :

85 cm x 65 cm (33.46 in. x 25.59 in.)

Paper :

BFK Rives 270 g.

Technique :

5-colors lithograph printed with Marinoni lithographic press, hand cut.

Signature :

Signed by the artist, numbered and stamped by our publishing house.

Year :

2020

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SKU: AR-001-L Category:
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“What inspired the colours for this lithograph is a specific moment that happened in Paris in the summer of 2020. I sat down at a terrace on the corner by the Bercy bridge after a long day of intense painting in the 13th, to have a drink while watching painted trains from the line 6 go by on the elevated tracks. It started raining but it was still a warm sunny day and I witnessed the most beautiful rainbow appear over the teal and white trains. What remains in this monochrome piece are all the variations between the white and the teal. For me a rainbow can exist in a monochrome piece.” Adele Renault
Weight1 kg
Edition size :

99

Dimensions :

85 cm x 65 cm (33.46 in. x 25.59 in.)

Paper :

BFK Rives 270 g.

Technique :

5-colors lithograph printed with Marinoni lithographic press, hand cut.

Signature :

Signed by the artist, numbered and stamped by our publishing house.

Year :

2020

Adele Renault

Adele Renault is an artist with a deft touch for that which most might find commonplace. From pigeons to people, she focuses her artistry on realistic depictions of ordinary city residents, on canvas as well large scale murals.

Adele was raised on a farmhouse in the Belgian Ardennes where her musical family encouraged her to travel and experience the world on her own. At just fourteen she ventured to Venezuela for a semester and then on to Brighton, England. During her travels she studied visual arts from classical oil painting to modern spray can graffiti, while experimenting with new media and graphic design. Renault graduated in 2010 from the Académie Royale des Beaux Arts in Brussels.

Following her instinct and desire to paint, Adele continues to live her vocation all over the world. Through her solo exhibitions, the United States marks a decisive step in her artistic career. The diversity of humanity and avifauna of American cities becomes the fertile ground for her pictorial aspirations. Her interest in people and pigeons stems from the commonality that no matter the city, each can be found in abundance. It makes her work is immediately relatable. In October 2019, during the exhibition “Crossing Lines” at PDP Gallery, Adele presents a series of portraits of the community that surrounds her studio based in West Adams, Los Angeles.

Through her series, “Gutter Paradise”, started in 2016, Adele has pushed her practice towards a meticulous study of a detail that has become the subject. She forcefully alters an element that might seem banal to make it the main focus of her research.

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