Brett Crawford

L’AMOUR EST UN ARBR3

Weight1 kg
UPCOMING :

Coming soon

Edition size :

25

Dimensions :

110cm x 160cm (43.3 inc. x 62.9 in.)

Paper :

BFK Rives 400 gsm.

Technique :

5-color lithograph printed with Voirin press, hand cut.

Signature :

Signed and numbered by the artist, stamped by our publishing house.

Year :

2024

PRICE :

CHF xxx (≈ $ xxx, exclusive of VAT)

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The last time I was in Paris was 2019. I was there for the Urban Art Fair and I painted a mural in Champigny-sur-Marne. After the mural was done we were driving back and we could see the smoke billowing from Paris. We pulled over at the Seine and watched in sadness as Notre Dame burned and the city cried.

When planning my trip to France to create the art for this release I came across this passage by Victor Hugo and the news that Notre Dame will be reopening soon. I decided to have my protagonist become Quasimodo. I wanted him to ring the bell in celebration of the reopening of this masterpiece of architecture and the heart to so many in France and the world.

L’amour est un arbre qui grandit tout seul; il enfonce ses racines profondément dans notre être, et souvent continue à verdir sur un coeur en ruines.” Translated to English, it becomes: “Love is a tree that grows of itself; it sends its roots deep into our being, and often continues to grow green over a heart in ruins.”

Weight1 kg
UPCOMING :

Coming soon

Edition size :

25

Dimensions :

110cm x 160cm (43.3 inc. x 62.9 in.)

Paper :

BFK Rives 400 gsm.

Technique :

5-color lithograph printed with Voirin press, hand cut.

Signature :

Signed and numbered by the artist, stamped by our publishing house.

Year :

2024

PRICE :

CHF xxx (≈ $ xxx, exclusive of VAT)

Brett Crawford

Based in Southern California, Brett Crawford is a multidisciplinary artist whose works span across painting, sculpture, design, and street murals; each of his works is a cultural exchange between art, fashion, and street culture.
Navigating a challenging life, art has always been his escape: “I struggle with language,” Crawford says. “Art is my language. I try to tell stories through imagery, using my characters to tell my stories. It’s me manifesting my own thing.”

A somehow non-conventional artistic path, which however led him to worldwide recognition – as witnessed by the recent Singapore pop-up exhibition by leading auction house, Phillips, followed by the auction record of the painting H3RE HE COMES at Phillips Hong Kong (HK$2.1 M) and his first solo show in Asia, “WAST3D POT3NTIAL”, also at Phillips’ HK. 

Despite the success and growing stature in the art world, Crawford recognises that real legacy isn’t manifested in statues. “I love making art,” he says, “but my hope is, when I’m gone, people will say that I was kind, I hope to be described as a good brother and a good father and a good son. And I hope they can say, he could also draw a little bit.”

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