Swoon

Sun/Moon Father/Mother VI

$ 3,434

Weight1 kg
Upcoming :

Coming soon

Edition size :

Unique

Dimensions :

Sheet: 40 in. x 28 in. (101.6 cm x 71.12 cm)
Image: 35.5 in. x 23.5 in. (90.17 cm x 59.69 cm)

Technique :

Monotype, uniquely hand-finished, with varying combinations of acrylic, charcoal, gouache, paper and pencil.

Paper:

Somerset Satin White 300 gsm.

Signature :

Signed at the bottom right

Year :

2025

Shipping :

Free shipping worldwide, including custom flat packing and insurance.

Price :

CHF 2’850 (≈ $3’500, exclusive of VAT)

As part of a series,
this product is available in different variations.

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The Kingdom of the Heartstone is a series of monoprints set in the fairytale world of Queen Hattie and the Heartstone. Each work is part of an unfolding myth that follows Hattie, a young Queen who powers her realm—the Kingdom of the Anahata—through an unbroken stream of love and joy. But when she is overtaken by nightmares and the weight of her duties, Hattie vanishes into the forest, leaving her kingdom to slowly fade. 

Sun/Moon Father/Mother, the first prints in the series, depict the cosmic parents of Queen Hattie—a single being joined in love. The pair move and walk as one, speak as two, and love their daughter—and the entire Kingdom of the Anahata—with the infinitude of the cosmos. They do not always understand Hattie’s fragile humanity, but remain steadfast by her side as her tale unfolds.

Each of these monoprints is an original painting in it’s own right. Drawn and painted onto glass over and over again throughout the monotyping process, I then took each of them to my studio and spent days addressing them as an individual works using paint, ink, charcoal, crayon, oil pastel and gold leaf to create a series that could be rich enough to encompass the fairytale world of Queen Hattie.  

Fairytale, fable and parable are all elemental languages which speak to our psyches at their depths. Archetypal languages which accompany us to places that logic and reason never can.The Fairytale of Queen Hattie is part of my artistic practice of writing fictional narratives, drawing their characters, and mapping out their worlds through picture books, exhibitions, and films”.

—Swoon

Weight1 kg
Upcoming :

Coming soon

Edition size :

Unique

Dimensions :

Sheet: 40 in. x 28 in. (101.6 cm x 71.12 cm)
Image: 35.5 in. x 23.5 in. (90.17 cm x 59.69 cm)

Technique :

Monotype, uniquely hand-finished, with varying combinations of acrylic, charcoal, gouache, paper and pencil.

Paper:

Somerset Satin White 300 gsm.

Signature :

Signed at the bottom right

Year :

2025

Shipping :

Free shipping worldwide, including custom flat packing and insurance.

Price :

CHF 2’850 (≈ $3’500, exclusive of VAT)

Swoon

Caledonia Curry, aka Swoon, is a Brooklyn-based street artist. Drawing on both realistic and fantastical elements, Curry has been transforming the world with her immersive installations, wheatpaste portraits, and community-based social justice projects for the last two decades.

While Curry’s work has adorned the walls of more classical institutions—including New York’s Museum of Modern Art, the Institute of Contemporary Art in Boston, and the Tate Modern—her overarching aim is to create accessible art that transports audiences while simultaneously shedding light on pressing social and environmental issues.

Curry’s recent work has been focused specifically on the relationship of trauma and addiction, drawing from her experience growing up in an opioid addicted family. In 2015, she developed The Road Home in collaboration with Philadelphia Mural Arts and the Million Person Project to serve a community ravaged by the opioid epidemic in North Philadelphia. The project included daily drop-in art therapy workshops and an ambitious advocacy component that culminated with harm-reduction workshops with the Philadelphia Department of Health and a public symposium.

Recent projects include The House Our Families Built, a major public art commission in collaboration with PBS American Portrait, as well as an upcoming feature length stop-motion animation. The film, currently in pre-production, is supported by the Sundance Institute Feature Film Program.

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