Swoon

Thalassa in the Mangroves

Weight1 kg
Year :

2024

category :

Unique

Technique :

Screentprint, cut paper, hand painted acrylics on paper and wood

Dimensions :

32 in. x 21 in. x 0.5 in. (81.28 cm x 53.34 cm x 1.27 cm)

Signature :

Hand-signed

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Thalassa is the Greek word for ocean, a primordial incarnation of the sea that is not often personified. She is said to have given birth to all the tribes of fish in the sea, she is the pull of the sea that comes from inside the salt water in our blood. By means of her signature technique of intricate paper cut-outs and portraiture, Swoon explores the relationship between humanity and nature, highlighting the importance of ecological balance and the power of feminine symbolism in environmental narratives.

“Thalassa was originally created for New Orleans. It was a month after the Deepwater Horizon exploded in the Gulf in 2010, and this body of water that I’d loved since I was a child was in peril. As I drew Thalassa surging up from the water, I felt her again like a wake- up call, one reminds us of our inseparability from the sea. When I stand in front of the ocean, the word that always appears first in my mind is mother. For me there is no mistaking the sense that the sea is our first mother.” -Swoon

Weight1 kg
Year :

2024

category :

Unique

Technique :

Screentprint, cut paper, hand painted acrylics on paper and wood

Dimensions :

32 in. x 21 in. x 0.5 in. (81.28 cm x 53.34 cm x 1.27 cm)

Signature :

Hand-signed

Swoon

Caledonia Curry, aka Swoon, is a Brooklyn-based street artist. Drawing on both realistic and fantastical elements, Curry has been transforming the world with her immersive installations, wheatpaste portraits, and community-based social justice projects for the last two decades.

While Curry’s work has adorned the walls of more classical institutions—including New York’s Museum of Modern Art, the Institute of Contemporary Art in Boston, and the Tate Modern—her overarching aim is to create accessible art that transports audiences while simultaneously shedding light on pressing social and environmental issues.

Curry’s recent work has been focused specifically on the relationship of trauma and addiction, drawing from her experience growing up in an opioid addicted family. In 2015, she developed The Road Home in collaboration with Philadelphia Mural Arts and the Million Person Project to serve a community ravaged by the opioid epidemic in North Philadelphia. The project included daily drop-in art therapy workshops and an ambitious advocacy component that culminated with harm-reduction workshops with the Philadelphia Department of Health and a public symposium.

Recent projects include The House Our Families Built, a major public art commission in collaboration with PBS American Portrait, as well as an upcoming feature length stop-motion animation. The film, currently in pre-production, is supported by the Sundance Institute Feature Film Program.

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